The Guardian

Illustration by Ben Lamb 

‘Course it’s a her, don’t be silly. How would a man understand the truth of girls’ friendships?’

Really? Not even My Brilliant Friend? You’re so lucky you’ve got the whole series ahead of you, and you haven’t even got to wait for her to finish. Look, take this one. I always carry a spare copy in case I find someone hasn’t discovered her, though you must be the last person in London. Or in case I want to be in 50s Naples again – you can practically smell the laundry drying in the streets.

Yes, I am an evangelist, but it’s not just me: everyone who reads Ferrante is a Ferrante evangelist – Rachel Cusk, James Wood, you name it. It’s hard to explain – just the accuracy about women’s experience and friendships, that searing rivalry that goes along with the love and almost physical passion. There’s this incredible scene when Lena bathes Lila before her – sorry, spoiler alert – you know that kind of deep, love-hate thing between women? Well, even if you don’t, which actually I don’t believe, she’s such an incredible storyteller. There’s this huge cast of characters, like the terrifying murderer Don Pingu, the handsome gangster Pinocchio, lame Cappuccino the shoemaker and mad old Nuttina with her 95 children.

Who said anything about Mean Girls meets One Hundred Years Of Solitude? Ferrante’s a total original. That’s why it’s so brilliant she’s up for the International Booker, even if people are saying they’re just trying to flush her out. Nobody knows who she is! Course it’s not a stunt – the books speak for themselves. Even if I knew who she was, I’d be obsessed with her, but it does make you admire her even more, that she won’t play the whole promotional game.

Course it’s a her, don’t be silly. How would a man understand the truth of girls’ friendships, the way they are this cauldron of seething jealousy, along with that almost erotic connection as their lithe, young bodies ripen into sumptuous matronhood? I haven’t even mentioned the brilliant translation.

You’ll see, in a month, I promise you won’t be able to think or talk about anything but Ferrante, unless it’s Karl Ove Knausgaard. Really? Not even A Death In The Family? Lucky!

The Guardian

Isn’t it un-ironic? Why Australia has better covers for Elena Ferrante’s Neapolitan series

Books by Elena Ferrante: My Brilliant Friend & The Story of the Lost Child

Book designers work hard so you can make a useful judgement from the cover: “Exciting thriller!”, “Feel-good romance”, “Tear-jerking saga, “Important literature”.

Elena Ferrante’s Neapolitan series – the author considers it a single work in four parts – is rare in being both acclaimed literature and a sales phenomenon. Since the first part was published in 2012 (book four in 2015) the tetralogy has sold over a million copies worldwide. As a comparison, David Foster Wallace’s famous Infinite Jest from 1996 has only now achieved similar sales after 20 years. (Foster Wallace’s opus weighs in at 1,080 pages, Ferrante’s at 1,700 pages.)

Much of the intrigue about the supposedly autobiographical fiction arises from the author steadfastly remaining anonymous, as if in rebuke to our celebrity-crazed culture. Compounding this refusal of publicity, the remarkable sales have been achieved despite controversial, unloved covers. (Amazing sales despite problematic covers proves a point deflationary to designers’ egos.)

Oprah

The Perfect Book for Every Bad Mood and Upsetting Dilemma

We all have our trying times (or years). Here’s the cure for what ails you. Read—and be restored.

For when you are insecure because you think your best friend is better than you

The competitive dynamic between two friends in Naples runs like a lit fuse through Elena Ferrante’s four Neapolitan novels. When Elena Greco (called Lenu) and Raffaella Cerullo (called Lila) meet as girls, in My Brilliant Friend, Lenu is awed by her friend’s intelligence, charisma and originality. Yet it is Lenu, not Lila, who will become a famous writer: Lila’s precocious gifts inspired Lenu; but it was Lenu, not Lila, who had the tenacity to use her own gifts. Ferrante’s novel shows that it is the friends we love—and yes, envy—who possess the transformative power of making us grow.

The Bookseller

Ferrante makes Time Magazine’s ‘most influential’

Reclusive Italian author Elena Ferrante has been named one of Time magazine’s 100 most influential people, alongside US author Ta-Nehisi Coates.

Ferrante, published in English translation by Europa, is the author of most famously of The Neapolitan quartet, which consists of My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child.

The Story of the Lost Child is shortlisted for this year’s Man Booker International Prize, and longlisted for the Best Translated Book Award.

Ferrante’s upcoming children’s book The Beach at Night will be published in November.

Ferrante’s publisher Europa Editions said: “Our deepest, sincerest congratulations to this incredible author.”

Coates is the author of Between the World and Me (Text Publishing Company), which won the National Book Awards’ top prize for non-fiction in 2015, and The Beautiful Struggle (Verso).

Leo Hollis, editor at Verso, said: “We are thrilled to be working with Ta-Nehisi on his memoir The Beautiful Struggle. The recent announcement of his inclusion on the TIMES power 100, alongside his many awards over the last 18 months, is recognition that he is one of the essential voices in the current debate on race in the United States. His writing makes art out of his own life, but also packs a powerful political message. His is a voice that we should all listen to at a time of tension and strife.”

The authors feature alongside the likes of German Chancellor Angela Merkel, US presidential hopeful Donald Trump and Facebook founder Mark Zuckerberg.

The Guardian

Elena Ferrante and Clarice Lispector up for Best Translated Book award

Alison Flood

The Story of the Lost Child and a posthumous collection of the great Brazilian author’s short stories among 10 finalists

Chinese poet Liu Xia, Brazilian author Clarice Lispector and Angolan writer José Eduardo Agualusa.

The Italian novelist Elena Ferrante, already in the running for the 2016 Man Booker International prize, has made the shortlist for the Best Translated Book award.

Worth $5,000 (£3,500) to both its winning authors and translators, the prize is run by the Three Percent blog at the University of Rochester, and underwritten by Amazon.com’s literary partnership programmes. Ferrante was picked by judges for The Story of the Lost Child, the final novel in her Neapolitan series, which also made the Man Booker International prize shortlist last week. Translated by Ann Goldstein, the novel was called “the first work worthy of the Nobel prize to have come out of Italy for many decades” by the Observer.

Another title shortlisted for the Man Booker International also makes the 10-strong list: A General Theory of Oblivion by Angolan writer José Eduardo Agualusa, translated by Daniel Hahn. The novel tells of a woman who bricks herself into her apartment on the eve of Angolan independence and lives there for 30 years.

The late Brazilian author Clarice Lispector’s Complete Stories is also a finalist for the fiction award, translated from the Portuguese by Katrina Dodson. Published last summer for the first time in English, the 85-story collection is “proof that she was – in the company of Jorge Luis Borges, Juan Rulfo and her 19th-century countryman Machado de Assis – one of the true originals of Latin American literature”, according to the New York Times.

Judge Amanda Nelson of Book Riot said that “one of the most remarkable things about this collection is that it is so complete”, and that Lispector “is simply better at portraying women than pretty much any other candidate”.

“Lispector gives us the inner lives of women from childhood through very old age,” said Nelson. “Her women are real, they wrestle with marriage, they struggle with motherhood, they make art, they are bored, they have affairs, get old, play the ‘cool girl’ game long before Gillian Flynn’s Amy gave it a name in Gone Girl. Lispector’s stories all in one place say: we have always been here.”

Three Percent also revealed the six poetry collections up for its best translated poetry prize, with China’s Liu Xia picked for Empty Chairs, translated from the Chinese by Ming Di and Jennifer Stern. Liu is the wife of the imprisoned Nobel peace prize winner Liu Xiaobo. In one of her poems, June 2nd, 1989 (for Xiaobo), she writes of how:

I didn’t have a chance
to say a word before you became
a character in the news,
everyone looking up to you
as I was worn down
at the edge of the crowd
just smoking
and watching the sky.

A new myth, maybe, was forming
there, but the sun was so bright
I couldn’t see it.

Alongside Liu’s work, a book collecting the work of eight Afghan women poets from Herat, Load Poems Like Guns, is shortlisted. The collection, edited and translated from the Persian by Farzana Marie, includes poetry by Nadia Anjuman, who wrote about the oppression of Afghan woman and was murdered by her husband in 2005. Judge, translator and publisher Deborah Smith said: “Two things about this book blew me away – one was the strength of the writing itself, and another was the astonishing work of its translator”.

WNYC

Finding Your Calling with StoryCorps Founder Dave Isay, Translating the Elusive Elena Ferrante

StoryCorps founder Dave Isay shares stories from people who do what they love in "Callings: The Purpose and Passion of Work."

 

StoryCorps founder Dave Isay shares stories from people who do what they love in Callings: The Purpose and Passion of Work, and we’ll hear from you! A new film looks at how the Deepwater Horizon explosion, the largest oil spill in U.S. history, has damaged the environment six years later. Ann Goldstein, the translator who brought Elena Ferrante’s Neapolitan novels to English readers, stops by the Leonard Lopate Show Book Club to answer your questions.

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Poets and Writers

Writers on TIME’s Most Influential People List, Autofiction’s Predecessors, and More

Every day Poets & Writers Magazine scans the headlines—from publishing reports to academic announcements to literary dispatches—for all the news that creative writers need to know. Here are today’s stories:

TIME has released its annual list of the 100 Most Influential People, which includes nonfiction writer Ta-Nehisi Coates, novelist Elena Ferrante, and fiction and nonfiction writerMarilynne Robinson.

Amazon has landed a three-year contract with the New York City Department of Education to provide approximately $30 million in e-books to students through an exclusive marketplace website. The e-tailer earns 10 to 15 percent commission on its sales through the deal. The New York City public school system is the largest district in the country, with 1.1 million students in more than 1,800 schools. (Publishers Weekly)

To celebrate the twentieth anniversary of National Poetry Month, the Washington Postfeatures a collaboration project between ten poets and ten visual artists, in which the artists have created graphic animated responses to poems. Participating poets include Victoria Chang, Tracy K. Smith, and Kevin Young.

“Waldrop’s feminism, expressed in lacunae and ‘gaps,’ implicitly mocks the need for accuracy and literal expression, here imagined as essentially male.” At the New Yorker, poet Dan Chiasson considers the life and work of poet Rosmarie Waldrop, and her latest volume of selected poems, Gap Gardening (New Directions).

Today marks the two-hundredth birthday of British novelist Charlotte Brontë. Celebrate theJane Eyre author’s bicentenary by reading about the authors and books she inspired at theInternational Business Times, then head over to the Guardian to see how well you know the author with a fun quiz.

Book five of Karl Ove Knausgaard’s popular six-volume series, My Struggle, was released this week by Archipelago. As the popularity of autofiction continues to rise, Public Booksprovides a list of autofiction writers who preceded Knausgaard in the genre.

At the New York Times, American Psycho novelist Bret Easton Ellis talks about seeing the Broadway version of his novel for the first time, and the strange phenomenon the book has become thirty years since it was written.

TIME

Elena Ferrante is one of TIME‘s 100 Most Influential People of the year

time 100 2016 elena ferrante

The bard of Naples

by Lauren Groff

The story we hear most often about the Italian author Elena Ferrante is the story of her absence: her pseudonym and the deliberate choice to disengage from the world as an author. It’s odd, though, to imagine that a photo or biography could tell us more about Ferrante than her astonishing books, translated fluidly into English by the great Ann Goldstein, which together form a topographical map of an extraordinary mind. Her first three novels, Troubling Love, Days of Abandonment and The Lost Daughter, are knife-sharp, swift and disquieting; her four-novel Neapolitan story is an epic masterpiece, aKünstlerroman of sustained passion and fury. Elena and Lila grow up in macho mid–20th century Naples, fight for education, class and respect, become mothers and wives and lovers, incited by and resisting their own fiery friendship. Ferrante is a subtle subversive; the domestic, in her brilliant books, is a time bomb that ticks too loudly to ignore.

Mtv.com

YOU WANT A PIECE OF ME

ELENA FERRANTE AND THE MYTH THAT FEMALE ARTISTS OWE US MORE THAN THEIR WORK
I was halfway through the second Neapolitan Novel when I threw the book across the living room, where it collided squarely with a table and sent my roommate’s vase crashing to the floor. It wasn’t that I was sick of the series, a critically acclaimed tetralogy about the 60-year frenemy-ship between two women in post-war Naples. It was that, after nearly 500 pages inside the head of the narrator, I felt her anguish so acutely that I could no longer contain my physical response.
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Minnesota Reads

The All-Consuming Ferrante Fever

The Irish Independent

Love thy Frenemy

Elena Ferrante’s novels drove Sarah Caden crazy, but she wondered, was that the female condition?

by Sarah Caden

“Evil, addictive novels with characters that are more irksome than appealing and each with an ending that is less than satisfying. I read them all. I thought about them when I wasn’t reading them. They drove me mad. And now I miss them. I hate Elena Ferrante. If that’s even her name.”

Recently, someone asked me if I’d read Elena Ferrante’s My Brilliant Friend. I told her I’d read all four of Elena Ferrante’s Neapolitan novels, of which My Brilliant Friend is the first and The Story of the Lost Child is the Booker Prize-nominated finale. “They are evil,” I told her.

Evil, addictive novels with characters that are more irksome than appealing and each with an ending that is less than satisfying. I read them all. I thought about them when I wasn’t reading them. They drove me mad. And now I miss them. I hate Elena Ferrante. If that’s even her name.

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The Boston Globe

Reader: Anonymous

Book Challenge: I enjoy reading Match Book. Many years ago I read “A Woman of Independent Means” by Elizabeth Forsythe Hailey. I loved the story and the style of how it was written. I also thoroughly enjoyed the beautiful writings of “Stones From the River” by Ursula Hegi and “The Shadow of the Wind” by Carlos Ruiz Zafón, which I read many years ago, too. Any suggestions of equal beauty?

Match Book: At first glance these books seem really different, but they are all historical novels with well-realized, memorable characters. Thanks for reminding me about the Hegi and Zafón, both of which I had forgotten about. I liked those books, too.

Start with “Fugitive Pieces,” a debut novel by Canadian writer Anne Michaels, which shares some of the qualities of characterization and history as the books you mention. Michaels is a poet, too, so the writing sings. Your affection for “A Woman of Independent Means” makes me think that you would love the historical sweep and perspective of Elena Ferrante’s Neapolitan novels and that you would be fascinated by the women at their centers — Elena and Lila . Book one is “My Brilliant Friend.” If you like the first in the series, you are in luck — there are three more: “The Story of a New Name” ; “Those Who Leave and Those Who Stay,” and “The Story of the Lost Child.”

The Boston Globe

Success of ‘Neapolitan Novels’ stranger than fiction

By Patti Hartigan

Elena Ferrante’s series traces the lifelong friendship of two impoverished Italian girls.

The phenomenon came about quietly, with none of the attention often paid to hair-raising mysteries or sexual pyrotechnics. This unexpected literary success was mostly about women, like the books themselves.

The popularity of the pseudonymous Elena Ferrante’s Neapolitan series of four novels, which trace the lifelong friendship of two impoverished Italian girls, has surged to unlikely bestseller status, largely by word of mouth from women readers who see some essence of their own lives in these works of literary fiction. Ferrante’s real identity is a much-discussed mystery.

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The Literary Sofa with Elizabeth Costello

What Elena Ferrante’s writing means to me

IMG_0844After an Easter trip to southern Italy that was directly inspired by Elena Ferrante’s Neapolitan novels (and feeling bereft on finishing the fourth and final one at Christmas), I recently mentioned on Twitter that I was planning a blog post on what this extraordinary author’s writing means to me if I could find the words.

And those words have proven very hard to find.  Assuming that I’m writing this for a mix of fellow Ferrante fans, refuseniks and the uninitiated, I’m going to keep it very simple, for my sake, not yours.  There are so many interesting and exhaustive analyses of Ferrante’s literary output and every conceivable related angle that I need not aim for critical distance or objectivity.  I probably couldn’t if I tried.  This is personal.

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