Rumpus: In Lucky You, there are tidbits of information about the characters’ pasts. There are time gaps between sections. There is a lot that goes unspoken. This seems to require you, as the author, to have a lot of trust in the reader. Can you talk a bit about this relationship of trust between author and reader?
Carter: When I was writing this, I had no agent or publisher, and was far from even thinking about having readers. So, that was freeing, because I wasn’t trying to please anyone. It’s interesting now, though, because I’m writing my second book, and I’m still not trying to please anyone—I feel like I’m just writing what has to be said, in the best way I know how to say it.
Lucky You is definitely not for everyone, but I would never want to write a book for everyone. I’d like to quote Elena Ferrante here, from her interview with the Paris Review, on this subject:
I employ all the strategies I know to capture the reader’s attention, stimulate curiosity, make the page as dense as possible and as easy as possible to turn. But once I have the reader’s attention I feel it is my right to pull it in whichever direction I choose. I don’t think the reader should be indulged as a consumer, because he isn’t one. Literature that indulges the tastes of the reader is a degraded literature. My goal is to disappoint the usual expectations and inspire new ones.