Elena Ferrante on the Origins of her Neapolitan Novels
In a rare interview, Elena Ferrante reveals the personal origins of her Neapolitan novels.
“Relationships between women don’t have solid rules like those between men,” says the Italian author Elena Ferrante. “I was interested in recounting how a long friendship between two women could endure and survive in spite of good and bad feelings, dependence and rebellion, mutual support and betrayal.”
It would be difficult to find a deeper portrait of women’s friendship than the one in Ferrante’s Neapolitan novels, which unfold from the fifties to the twenty-first century to tell a single story with the possessive force of an origin myth. Beginning with My Brilliant Friend, published in the U.S. two years ago, they’re ruminatively narrated by a writer named Elena, who looks back upon a defining, lifelong bond with the “terrible, dazzling” Lila, whom she meets in first grade. Together, the girls grow up in a corner of Naples Visconti might have filmed, a neighborhood of pastry bakers and fruit-and-vegetable vendors, vendettas, and casual violence. Slim as a “salted anchovy,” with a quicksilver intelligence, Lila ignites the more compliant Elena’s ambitions: “We tore the words from each other’s mouth, creating an excitement that seemed like a storm of electrical charges.”